Catherine Lord is Professor of Studio Art and Core Faculty Member in the Program in Women's Studies at the University of California, Irvine. She is a writer, artist and curator whose work addresses cultural politics, including disability, queer identities, feminism and colonialism. She has received fellowships and awards from the New York State Council on the Arts, the Andy Warhol Foundation and the Banff Centre for the Arts. Lord was Associate Editor at Afterimage, and her critical essays and fiction have been published in Art & Text, New Art Examiner, Whitewall, Framework, Documents, X-Tra, Art Journal and Art Paper. Her work is also included in the surveys The Contest of Meaning (1989) and Illuminations: Women Writing on Photography from the 1850s to the Present (1996).
Richard Meyer is Associate Professor of Art History at the University of Southern California. His studies in modern and contemporary art focus on the ongoing debate over sexuality and gender, its effects on modern art and visual culture, and censorship and the public sphere. A graduate of Yale (BA) and Berkeley (MA, PhD), in 1998 he was awarded a Postdoctoral Fellowship at the Getty Research Institute for History of Art & Humanties. His writing has appeared in a number of art journals, including Artforum, and in several museum publications, such as Wack! Art and the Feminist Revolution (Museum of Contemporary Art, Los Angeles, 2007). He is the author of Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (2002).
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