A short explosive novel about Russia, Scotland, sex and singer-songwriters.
'Reading [Xstabeth] feels like being cut open to the accompanying sound of ecstatic music' Edna O'Brien
'Prepare for more of that inimitable Keenan narrative voodoo brilliance' Wendy Erskine
In St Petersburg, Russia, Aneliya is torn between the love of her father and her father's best friend. Her father dreams of becoming a great musician but suffers with a naivete that means he will never be taken seriously. Her father's best friend has a penchant for vodka, strip clubs and moral philosophy.
When an angelic presence named Xstabeth enters their lives - a presence who simultaneously fulfils and disappears those she touches - Aneliya and her father's world is transformed.
Moving from Russia to St Andrews, Scotland, Xstabeth tackles the metaphysics of golf, the mindset of classic Russian novels and the power of art and music to re-wire reality. Charged with a consuming intensity and a torrential rhythm that pulses with music, it is an offering of transcendence and a love letter to the books of Chandler, Nabokov and Dostoevsky, by a writer who is rewriting the rulebook of contemporary fiction.
Pre-order XSTABETH in paperback, ebook or audio before 1 November to access the exclusive digital prequel, THE TOWERS THE FIELDS THE TRANSMITTERS. Full details: bit.ly/XstabethPreOrder
Prepare for more of that inimitable Keenan narrative voodoo brilliance. In Xstabeth it'll give you a special and magickal alchemy of metaphysics, singer-songwriters and golf, angelic entities, memory and grace. What a thrill to take this remarkable trip to St Andrews and Russia, in the arms of music and synchronicity - Wendy Erskine
I sometimes think David Keenan dreams aloud. His prose has the effortless, enigmatic , unsettling quality of dream. In Xstabeth, as with For the Good Times, the narrative shuttles between episodes of nearness and chasm ... Reading it feels like being cut open to the accompanying sound of ecstatic music
This book spoke, it said "read me" from the very first sentence as if it were alive, it gave me visceral joy
A delicious, dark and haunting book, from the first page I couldn't let it go and I know Xstabeth will stay with me for ever. The book contains magic and intrigue. It is a 21st century cult classic
It is one of the most interesting novels I've come across this year. Reading it, I felt the unmistakable pulse of something living, and it isn't done with me yet - Literary Review
The prose has a mesmeric quality... Xstabeth reprises the manic idealism of This is Memorial Device (2017), Keenan's exuberant debut novel about the post-punk scene in 1980s Airdrie. Tomasz, a disciple of Leonard Cohen and Nick Drake, cuts a brooding but sympathetic figure - Spectator
You can lose yourself in the novel's weird loops and whorls, searching for resolution while luxuriating in the lack of it . . . This is Keenan's most gnomic, gnostic work yet - at times it seems only loosely tethered to reality - yet it's never portentous. There's something here of the 19th-century Russian novelists' passion for authenticity, their fervid drama. There are funny lines, too, which undercut the mysticism in a satisfyingly earthy way . . . the sense of a synchronous world being created even as you read, where past visions spark memories that echo the present, leaping across synaptic gaps with the grace of a bird in flight - Guardian
David Keenan was born in Glasgow and grew up in Airdrie, in the west of Scotland, in the late-70s and early-1980s. He is the author three novels, the cult classic This Is Memorial Device, which won the Collyer Bristow/London Magazine Award for Debut Fiction 2018 and was shortlisted for the Gordon Burn Prize, For The Good Times, which won the Gordon Burn Prize in 2019, and Xstabeth. He is also the author of England's Hidden Reverse, a history of the UK's post-punk/Industrial underground, as well as To Run Wild In It, an experimental novella, and the co-designer, alongside Sophy Hollington, of his own tarot pack, the Autonomic Tarot.