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  • Dialogue Books
  • Dialogue Books

Rainbow Milk

Paul Mendez

2 Reviews

Rated 0

Modern & contemporary fiction (post c 1945)

A raw, essential and revelatory coming-of-age narrative from a thrilling new voice in queer black fiction, with shades of James Baldwin, Kei Miller and Moonlight. RAINBOW MILK is Dialogue's lead debut for 2020.

'This debut cements Mendez as a stunning new voice in fiction' Cosmopolitan

Rainbow Milk is an intersectional coming-of-age story, following nineteen-year-old Jesse McCarthy as he grapples with his racial and sexual identities against the backdrop of a Jehovah's Witness upbringing and the legacies of the Windrush generation.

In the Black Country in the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has moved to Britain with his wife to secure a brighter future for themselves and their children. Blighted with unexpected illness and racism, Norman and his family are resilient in the face of such hostilities, but are all too aware that they will need more than just hope to survive.

At the turn of the millennium, Jesse seeks a fresh start in London - escaping from a broken immediate family, a repressive religious community and the desolate, disempowered Black Country - but finds himself at a loss for a new centre of gravity, and turns to sex work to create new notions of love, fatherhood and spirituality.

Rainbow Milk is a bold exploration of race, class, sexuality, freedom and religion across generations, time and cultures. Paul Mendez is a fervent new writer with an original and urgent voice.

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Praise for Rainbow Milk

  • This debut cements Mendez as a stunning new voice in fiction. Semi-autobiographical, this gripping coming-of-age story set in the Black Country in the 1950s follows 19-year-old Jesse as he comes to terms with his racial and sexual identity against the backdrop of his repressive religious upbringing . . . An original addition to the queer fiction canon - Cosmopolitan

  • Exquisite descriptions of the body, of longing and lust, set against the recent history of the nation. Proof once more there can be no discussion of English history that isn't also a discussion of blackness, queerness and class

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