Imprint
- Virago
- Virago
Fiction, Modern & contemporary fiction (post c 1945)
'Marvelous, superbly affective ... A labor of love, which considers primal conflict [between a mother and her daughter] with a tender psychological acuity' New Yorker
'An indelible portrait of a brilliant, beautiful, mad and maddening woman, expressing the joy of holding her mercurial attention and also the terrible cost of that intimacy...No-one who reads this captivating book will ever forget Maman' Andrew Solomon
A prize-winning tour de force when it came out in France, this brilliant translation of Violaine Huisman's 'witty, immersive autofiction showcases a Parisian childhood with a charismatic, depressed parent' (Oprah Daily. Beautiful and magnetic, Catherine, aka 'Maman', smokes too much, drives too fast, laughs too hard and loves too extravagantly. During a joyful and chaotic childhood, her daughter Violaine wouldn't have it any other way.
But when Maman is hospitalised after a third divorce and breakdown, everything changes. Even as Violaine and her sister long for their mother's return, once she's back Maman's violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine's own traumatic childhood and coming of age unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive.
With spectacular ferocity of language, a streak of dark humor and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother's dizzying heights and devastating lows, and a daughter who must hold her memory close in order to let go.
Praise for The Book of Mother: Longlisted for the International Booker Prize
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A sparkling debut. Any sadness in the telling is countered by the panache and surprise of the writing infused in these pages. Love wins out in a life of struggle - the struggle of a monarch without a kingdom - Elle (France)
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Violaine Huisman unfurls memories, facts and family myths . . . it's poignant, terribly alive . . . the grit Huisman has in retelling her story, both as a young girl and as a writer, is as beautiful as it is brave . . . dignified and devastating, the book is a superb monument to a woman who spent her whole life in flight - Le Monde
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A magnificent ode. Her prose abounds with literary force - Le Point
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Violaine Huisman summons her late mother's voice in order to speak with and through and for her. The result is a charged portrait of a vibrant and destructive woman as imagined by the daughter who believed it was her job to save her. The prose has the unmistakable urgency and authority of love, producing an homage without idealization, an elegy without false consolation. The Book of Mother is at once an act of radical identification and a way of letting go
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An indelible portrait of a brilliant, beautiful, mad and maddening woman, expressing the joy of holding her mercurial attention and also the terrible cost of that intimacy. This is an exquisite evocation of the passionate, reciprocal love that can illuminate its objects, or destroy them, or both. No one who reads this captivating book will ever forget Maman.
Violaine Huisman
Violaine Huisman was born in Paris in 1979 and has lived and worked in New York for twenty years, where she ran the Brooklyn Academy of Music's literary series and also organized multidisciplinary arts festivals across the city. Originally published by Gallimard under the title Fugitive parce que reine, her debut novel The Book of Mother was awarded multiple literary prizes including the Prix Fran oise Saga and the Prix Marie Claire.
Leslie Camhi is a New York-based essayist and cultural journalist who writes for the New York Times, Vogue and other publications. She is a frequent contributor to artists' monographs and museum catalogues. The Book of Mother is her first book-length translation.
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