Ian Watson's latest collection shows the same range and apparently inexhaustible fund of ideas that have characterized all his previous books. No other contemporary figure in SF is so prolific or inventive a writer of short stories. In the title story we immediately encounter a phantasmagoric vision of a society increasingly dependent on recycling its usable material; other brilliant inventions include a planet inhabited by lemur-like aliens who bafflingly produce marvellously finished stone carvings without apparently having the tools to do so ('The Moon and Michelangelo'); people fighting their way through the various levels of what appears to be a real-life version of a computer adventure game ('Jewels in an Angel's Wing'); and a zoo in which are caged the extensions into our universe of four-dimensional hyberbeings ('Hyperzoo'). And that is only the beginning: there are fifteen stories in all, each one a state-of-the-art example of short science fiction at its finest.
Ian Watson (1943 - )Ian Watson was born in England in 1943 and graduated from Balliol College, Oxford, with a first class Honours degree in English Literature. He lectured in English in Tanzania (1965-1967) and Tokyo (1967-1970) before beginning to publish SF with "Roof Garden Under Saturn" for the influential New Worlds magazine in 1969. He became a full-time writer in 1976, following the success of his debut novel The Embedding. His work has been frequently shortlisted for the Hugo and Nebula Awards and he has won the BSFA Award twice. From 1990 to 1991 he worked full-time with Stanley Kubrick on story development for the movie A.I. Artificial Intelligence, directed after Kubrick's death by Steven Spielberg; for which he is acknowledged in the credits for Screen Story. Ian Watson lives in Spain.