Your cart


Total AUD



  • Virago
  • Virago

You Play The Girl: On Playboy Bunnies, Princesses, Trainwrecks and Other Man-Made Women

Carina Chocano

3 Reviews

Rated 0

Prose: non-fiction, Cultural studies, Feminism & feminist theory, Gender studies: women

In Carina Chocano's insightful, witty and moving You Play The Girl, we travel down the rabbit hole into the Wonderland of pop culture

We all know who The Girl is. She holds The Hero's hand as he runs through the Pyramids, chasing robots. Or she nags him, or foils him, plays the uptight straight man to his charming loser. She's idealised, degraded, dismissed, objectified and almost always dehumanised. How do we process these insidious portrayals, and how do they shape our sense of who we are and what we can become?

Part memoir, part cultural commentary, part call to arms to women everywhere, You Play The Girl flips the perspective on the past thirty-five years in pop culture - from the progressive 70s, through the backlash 80s, the triumphalist 90s and the pornified 'bro culture' of the early twenty-first century - providing a firsthand chronicle of the experience of growing up inside this funhouse. Always incisive, Chocano brilliantly shows that our identities are more iterative than we think, and certainly more complex than anything we see on any kind of screen.

Read More Read Less

Praise for You Play The Girl: On Playboy Bunnies, Princesses, Trainwrecks and Other Man-Made Women

  • In this whip-smart essay collection, pop culture critic Chocano explores representations of women in books, movies, and television, with characters ranging in time and temperament from Edith Wharton's Lily Bart to Mad Men's Joan and Peggy. Remarkably comprehensive and enjoyably associative, the essays move quickly from the haunting performances of French actress Isabelle Adjani to The Real Housewives of Beverly Hills, Bewitched, and I Dream of Jeannie as allegories for the potential of powerful women to "wreck civilization." Chocano astutely observes that Thelma and Louise and Pretty Woman are "dueling metanarratives" from the same cultural moment, offering diametrically opposed messages about women's aspirations. On a personal note, Chocano describes her laborious efforts to raise a daughter without the patriarchy's cultural hangups via an extremely thorough examination of Disney's Frozen and its famous aria, asking-"What exactly is she letting go of?" Readers with even a rudimentary understanding of feminism may find it wearisome to have such seminal texts as Charlotte Perkins Gilman's The Yellow Wallpaper (1892) and Betty Friedan's The Feminine Mystique (1963) rehashed; with a vast spectrum of material, and Chocano's incisive and witty approach, however, these essays will appeal to anyone interested in how women's stories are told. - Publishers Weekly, starred review

  • Every woman often faces the unwelcome prospect of "playing the girl." These essays by journalist Chocano, inspired by Lewis Carroll's Alice, lead readers on a journey to identify and understand just who this girl is and from where she originates. The author interweaves relevant personal stories from her childhood and adult experiences with and entertaining and insightful review of female characters from the last 50 years of pop culture, including television, film and literature. Chocano not only looks back at her own experiences, she also writes emotionally about the realities of the world that her young daughter faces today. Each piece combines numerous, well-connected examples from the author's extensive knowledge of pop culture, with an analysis of a theme related to the various aspects of women's lives: work, relationships, marriage, sexuality, motherhood, and even math. As a result, the essays have a sound research foundation and are well documented.

  • VERDICT: This entertaining, engaging, enlightening tour of the portrayal of women in pop culture will appeal to general readers and researchers in a variety of cross-disciplinary fields. - Library Journal, starred review

Read More Read Less

Carina Chocano

Carina Chocano is a frequent contributor to the New York Times Magazine and Elle, and her writing has appeared in the New Yorker, Vulture, Wired, Rolling Stone, Details, New York Times Book Review, New Republic, Aeon and others. She was a staff film and TV critic at the Los Angeles Times, a TV and book critic at Entertainment Weekly and a staff writer at Salon. Her work has been anthologised in the New Yorker humour collection Disquiet, Please!, the humour collection More Mirth of a Nation and the essay collections Altared and Borderline Personalities. Her humour book, Do You Love Me, or am I Just Paranoid? was published by Random House.

This website uses cookies. Using this website means you are okay with this but you can find out more and learn how to manage your cookie choices here.Close cookie policy overlay