When Adam Gopnik and his soon-to-be-wife, Martha, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder.
At the Stranger's Gate builds a portrait of this particular moment in New York through the story of this couple's journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to his tiny basement room on the Upper East Side, and later to SoHo, where he captures a unicorn: an affordable New York loft. He takes us through his professional meanderings, from graduate student-cum-library-clerk to the corridors of Conde Nast and the galleries of MoMA.
Between tender and humorous reminiscences, including affectionate portraits of Richard Avedon, Robert Hughes, and Jeff Koons, among many others, Gopnik discusses the ethics of ambition, the economy of creative capital, and the peculiar anthropology of art and aspiration in New York, then and now.
Engaging, witty, thoughtful, clever, casual, ebullient, erudite and thoroughly modern - Spectator
The distinctive brilliance of Gopnik's essays lies in his ability to pick up a subject one would never have believed possible to think deeply about then cover it in thoughts. He is truly able to see the whole world in a grain of sand - New York Times Book Review
Gopnik's mind darts about like mercury as he tells his tale - The Times
Adam Gopnik has been writing for the New Yorker since 1986. He is a three-time winner of the National Magazine Award for Essays and for Criticism, and the George Polk Award for magazine reporting. From 1995 to 2000 he lived in Paris; he now lives in New York City with his wife and their two children.