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She That Lay Silent-Like Upon Our Shore: 'An act of pure imagination' ANNE ENRIGHT
Brendan Casey
Modern & contemporary fiction (post c 1945), Myth & legend told as fiction
A cunning fable about humanity's relationship with the natural world, crisis and religion from a daring new talent
'Story telling at its most primal . . . brutal, tender and wildly imaginative' Irish Times
'An act of pure imagination' ANNE ENRIGHT
'Strange and darkly wondrous . . . like a wild and witty outtake from a folkloric Moby-Dick' PHILIP HOARE
A creature from another world had collided with ours - a reckonin she might properwise be knowt, a great reckonin had washed upon our shores, and I ran twort it.
On a remote island in the northern seas an unnamed boy is exiled from his community and cast into the Wastelands. In his struggle to survive he breaks away from the strictures of his upbringing and aligns himself with the beauty and brutality of the natural world. The Leviathan, a colossal beast that strands itself upon the shore, is the embodiment of everything the boy has yearned for and he vows to protect it with his life. The community's religious leader, the Prelate, proclaims the creature to be the devil incarnate, triggering a physical and philosophical battle that will propel life on the island towards a bloody and inevitable end.
Told in a remarkable narrative voice, She That Lay Silent-like Upon Our Shore is a powerful fable about loyalty, isolation and humanity's complex relationship with nature.
Praise for She That Lay Silent-Like Upon Our Shore: 'An act of pure imagination' ANNE ENRIGHT
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A strange and darkly wondrous book, like a wild and witty outtake from a folkloric Moby-Dick - Philip Hoare, author of Leviathan or, The Whale
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Unlike anything else you'll read this year - a truly imaginative, atmospheric novel that tells in strange, beguiling prose the story of a lost young man finding redemption on foreign shores - Sarah Gilmartin
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An act of pure imagination: this is one of those stories that arrive fully formed in the writer's head, asking to be written first and understood later. The result is a kind of vision, told with great attention to language, voice and tone - Anne Enright
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