Imprint
- Mulholland Books
Crime & mystery, Thriller / suspense
The third book in the Frank Marr series. For fans of Mark Billingham and Jeffery Deaver.
He's a good detective... with a bad habit.
'A down-and-dirty thriller with real heart from an author who knows what he's talking about. This is firmly in George Pelecanos territory and it doesn't get much better than that.' Mark Billingham on THE SECOND GIRL
Frank Marr was a good cop, until his burgeoning addictions forced him into retirement from the Washington D.C. police. Now, he's barely eking out a living as a private investigator.
Ostracized by his family after a botched case that led to the death of his cousin, Frank is now clean. He passes the time by robbing the houses of local dealers, taking their cash and flushing their drugs down the toilet. But when an old friend from the police needs his help, Frank is drawn back into the world of dirty cops and suspicious drug busts.
Never one to play by the rules, Frank recruits a young man he nearly executed years before. Together, detective and criminal charge headfirst into the D.C. drug wars. Will either make it out?
Praise for David Swinson:
'David Swinson pulls off a masterly piece of characterization...The writing throws sparks, and the ferocious plot peels back layer after layer of Frank's character as we - and he - find out how much of his humanity is still left.' Tana French
'A gripping, authentic tale (the author is an ex-cop) of a man's journey into the heart of darkness that will appeal to fans of The Wire' Shortlist
'Frank Marr, the winningly debauched private investigator [is the] hero of this gritty thriller...A complex, vulnerable but brilliant creation, with a unique personal morality' Crime Scene Magazine
More books by David Swinson
Praise for Trigger: The gritty new thriller by a former Major Crimes detective
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Frankie Marr, the ex-cop turned PI with a skewed sense of justice, situational ethics and a drug habit he kicked by turning to alcohol, is back. The ex-cop turned author, David Swinson, takes us on another pulse-pounding, stripped-down excursion into the badlands of the nation's capital. An old friend and colleague teeters on the brink of catastrophe and Frankie answers the call; his street wits, reckless courage and pit bull tenacity racingahead of glorious and soulful collapse. I missed you, Frankie, and I'm very happy to see you again.
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Frank Marr prowls Washington like a creature from a different age: hard-knuckled, hard-drinking, equal parts loyalty, craving, determination, and regret. But in Trigger, David Swinson's detailed, glittering, vicious DC is up-to-the-minute. Never one to bend a rule when he can smash it instead, Marr leads us straight back into the wreckage he left in The Second Girl and Crime Song. It's a thrill to watch him pick up the pieces.
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A non-stop drive through American crime, punishment and even an alley or two of justice.
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A down-and-dirty thriller with real heart from an author who knows what he's talking about. This is firmly in George Pelecanos territory and it doesn't get much better than that.
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David Swinson pulls off a masterly piece of characterization...The writing throws sparks, and the ferocious plot peels back layer after layer of Frank's character as we - and he - find out how much of his humanity is still left.
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A gripping, authentic tale (the author is an ex-cop) of a man's journey into the heart of darkness that will appeal to fans of The Wire - Shortlist
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Marr is one of the most compelling and complex protagonists to come along in years. And, not content with just creating a memorable hero, author Swinson also offers up a breakneck plot...Reminiscent of The Wire and the writing of George Pelecanos and Dennis Lehane, The Second Girl is a winner.
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Imagine Philip Marlowe upped and transplanted to contemporary Washington with a mountain of stolen coke hidden in a secret safe rather than a bottle of bourbon in his desk drawer, and you're close to Frank Marr, the winningly debauched private investigator hero of this gritty thriller...A complex, vulnerable but brilliant creation, with a unique personal morality, his spare narration is laced with wry humour but entirely lacking in self-pity. - Crime Scene Magazine
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