The ad man sets his sights on the gravy train that is Venus: unconquered and waiting to be populated by Earth's capitalist-driven consumers.
Time: the near future Place: Madison Avenue, New York An overcrowded world is dominated by a few unscrupulous advertising agencies who have reduced the population to drug- and ad-conditioned consumers. Fowler Schocken Associates, who successfully organised India into a single giant cartel, have a new mission -- the development and exploitation of Venus. Mitchell Courtenay, star-class copysmith, is chosen to sell it to potential colonists. But the Consies, a subversive conservation group, and a rival ad agency also want Venus, and Courtenay finds himself in the midst of a deadly struggle.
Frederik Pohl is one of the grand masters of science fiction with a career spanning over sixty years, both as a writer and an editor. He is adept whether writing on his own or in collaboration. His partnership with Cyril M. Kornbluth, which produced such classics as The Space Merchants (1953) and Wolfbane (1959), is legendary. He has also collaborated with Jack Williamson and I believe he is the only writer to have collaborated with both Isaac Asimov and Arthur C. Clarke. For much of the 1960s Pohl was tied up editing several SF magazines, most notably Galaxy and Worlds of If, but when he returned to writing fiction in the 1970s he produced a series of memorable books, including the Heechee series, which began with Gateway (1977), as well as Man Plus (1976), The Coming of the Quantum Cats (1986) and The World at the End of Time (1990). His work has won him many awards and accolades, including the following which won the Hugo in 1986.