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  • Little, Brown

Monsters: How George Bush Saved the World -- and Other Tall Stories

Gerald Scarfe

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Prose: non-fiction, Cartoons & comic strips

A collection of the political cartoons from Britain's best-known and most controversial satirical artists, Gerald Scarfe

Gerald Scarfe, Britain's most controversial satirical artist, is famous for having worked with a broad and eclectic mix of British and American icons, including Pink Floyd and Disney. But he is perhaps best known for his political cartoons, which have appeared in numerous newspapers and magazines, notably in the Sunday Times. This new book brings together fifty years of Scarfe's political drawings in a brilliantly entertaining journey through the history of our nation's leaders, from Churchill's last visit to the House of Commons in 1965 to the Thatcher years to Tony Blair's legacy and Gordon Brown's succession in 2007. With razor-sharp wit and exuberant energy, Scarfe's drawings lampoon these leaders' political ambitions, scandals and disasters in inimitable style.

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Gerald Scarfe

After a brief period at the Royal College of Art in London, Gerald Scarfe established himself as a satirical cartoonist, working for Punch and Private Eye during the early 60s. He has had many exhibitions worldwide, including New York, Osaka, Montreal, Los Angeles, Sydney, Melbourne, Chicago and London, and 50 one-man shows. He has designed the sets and costumes for plays, operas and musicals in London, Houston, Los Angeles, San Francisco, Seattle and New Zealand; written, directed and appeared in many live action and documentary films for BBC and Channel 4; and published many books of his work. Scarfe has been political cartoonist for the London Sunday Times for over 40 years, and has worked for The New Yorker for 17 years. His work regularly appears in many periodicals. Gerald Scarfe received a CBE in the Queen's Birthday Honours 2008. He has had a long association with Pink Floyd - as the designer and director of animation for the Floyd live show Wish You Were Here in 1974, for The Wall between 1970-73 and for Roger Waters' The Pros and Cons of Hitchhiking in 1984.

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