Freewheeling, kaleidoscopic and wickedly funny, this is a novel that shows Nath to be a writer of rare linguistic and imaginative power.
'Simply the best British novel I've read this century' David Peace
At a bus stop in south London, black teenager Eldine Matthews is murdered by a racist gang. Twenty years later, L Troop's top boys - models of vice, deviance and violence - are far beyond justice. There are some people the law will not touch.
But Eldine's murder is not forgotten. His story is once again on everyone's lips and the streets of south London; a story of police corruption and the elimination of witnesses. A solicitor, a rent boy, a one-eyed comedian and his minder are raising ghosts; and Carl Hyatt, disgraced reporter, thinks he knows why.
There's one man linking this crew of rambunctious dandies and enchanting thugs, and it's the man Carl promised never to challenge again: Mulhall, kingpin of London's rotten heart and defender of L Troop's racist killers. Carl must face up the morality of retribution and the reality of violence knowing that he is the weak link in the chain; and that he has placed everyone he loves within Mulhall's reach.
The Treatment is steeped in London's criminal past, its shadows of corruption and institutional racism. Like a seventeenth-century revenge tragedy, its characters reel from the streets, bars and brothels, hyperarticulate and propelled by wild justice.
The most marvelous crime novel, based around real events in London. It's very much a literary work, with really wonderful writing. A very strong book
Nath has a confidence and attitude that rocks you on every page - Daisy Goodwin on La Rochelle
Original, funny and absolutely spot-on - Nicholas Royle in The Independent on La Rochelle
This is the beauty of Nath's writing. He has brought to life a range of Brits who all bark and bite with equal ferocity, but love and dream as well. British Story is a novel for our time. Michael Nath knows how to write real literature, stuff with heart and character. He isn't afraid to look life in the eye, despite all of its jagged edges and contradictions, and he knows how to take this and turn it into a story. A British story at that. - Manchester Review of Books