Imprint
- riverrun
- riverrun
London, Greater London, Fiction, Modern & contemporary fiction (post c 1945), Street crime / gun crime, Organized crime
Freewheeling, kaleidoscopic and wickedly funny, this is a novel that shows Nath to be a writer of rare linguistic and imaginative power.
'Simply the best British novel I've read this century' David Peace
'Will stay in my head forever...a fantastic book' The Tablet
'A maverick project that defies comparison' Metro
At a bus stop in south London, black teenager Eldine Matthews is murdered by a racist gang. Twenty years later, L Troop's top boys - models of vice, deviance and violence - are far beyond justice. There are some people the law will not touch.
But Eldine's murder is not forgotten. His story is once again on everyone's lips and the streets of south London; a story of police corruption and the elimination of witnesses. A solicitor, a rent boy, a one-eyed comedian and his minder are raising ghosts; and Carl Hyatt, disgraced reporter, thinks he knows why.
There's one man linking this crew of rambunctious dandies and enchanting thugs, and it's the man Carl promised never to challenge again: Mulhall, kingpin of London's rotten heart and defender of L Troop's racist killers. Carl must face up to the morality of retribution and the reality of violence knowing that he is the weak link in the chain; and that he has placed everyone he loves within Mulhall's reach.
The Treatment is steeped in London's criminal past, its shadows of corruption and institutional racism. Like a seventeenth-century revenge tragedy, its characters reel from the streets, bars and brothels, hyperarticulate and propelled by wild justice.
Praise for The Treatment
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The most marvelous crime novel, based around real events in London. It's very much a literary work, with really wonderful writing. A very strong book
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Nath has a confidence and attitude that rocks you on every page - Daisy Goodwin on La Rochelle
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Original, funny and absolutely spot-on - Nicholas Royle in The Independent on La Rochelle
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This is the beauty of Nath's writing. He has brought to life a range of Brits who all bark and bite with equal ferocity, but love and dream as well. British Story is a novel for our time. Michael Nath knows how to write real literature, stuff with heart and character. He isn't afraid to look life in the eye, despite all of its jagged edges and contradictions, and he knows how to take this and turn it into a story. A British story at that. - Manchester Review of Books
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THE TREATMENT is simply the best British novel I've read since I don't know when - this decade? This century? And why? Because it engages with and confronts the central, crucial subjects of our time: race and racism, individual and institutional, of the corruption and failure of the police, the media and the law itself, asking where that then leaves us as citizens of such society, where revenge is the only justice left to us. But its brilliance is also in the telling of this tale, urgent and moral, in the sheer exuberance of the language and its narrative, filled with both humour and tragedy, and which really does reaffirm the potential and power of the novel, and the British Novel, no less.
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Michael Nath sends a timeless, unforgettable firm of avengers to confront racist thugs and corrupt cops. A performance of rare linguistic dexterity and lacerating wit, The Treatment sees the emergence of a unique British imagination - The Hounding of David Oluwale
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