As the only one in the family without magic, Makeda has decided to move out on her own and make a life for herself among the claypicken humans. But when her father goes missing, Makeda will have to find her own power - and reconcile with her twin sister, Abby - if she's to have a hope of saving him. . .
''We'd had to be cut free of our mother's womb. She'd never have been able to push the two-headed sport that was me and Abby out the usual way. Abby and I were fused, you see. Conjoined twins. Abby's head, torso and left arm protruded from my chest. But here's the real kicker; Abby had the magic, I didn't. Far as the Family was concerned, Abby was one of them, though cursed, as I was, with the tragic flaw of mortality.''
Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls gave Abby a permanent limp, but left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father, the god of growing things - an unusual childhood that made them extremely close. Ever since Abby's magical talent began to develop, though, in the form of an unearthly singing voice, the sisters have become increasingly distant.
Today, Makeda has decided it's high time to move out and make her own life among the other nonmagical, claypicken humans - after all, she's one of them. In Cheerful Rest, a run-down warehouse, Makeda finds exactly what she's been looking for: a place to get some space from Abby and begin building her own independent life. There's even a resident band, led by the charismatic (and attractive) building superintendent.
But when her father goes missing, Makeda will have to find her own talent - and reconcile with Abby - -if she's to have a hope of saving him. . .
Acclaimed novelist Nalo Hopkinson is well-known for her unique postmodern mythos, often drawing on Caribbean folklore, and placing complex characters smack in the center of worlds whose magic isn't always kind and in which decisions are rarely easy. Her newest novel, Sister Mine, has a lighter edge than some of her previous work; it's an engaging, messy fable about the interconnectedness of even the little things in our lives...This is a book about family, and Sister Mine remains a suitably imperfect and vibrant story of family in all its unfathomable wonders and annoyances, and the power it holds over us - or gives us. - NPR
She's a powerful writer with an imagination that most of us would kill for. I have read everything she has written and am in awe of her many gifts. And her protagonists are unforgettable - formidable haunted women drawn with an almost unbearable honesty - seriously, who writes sisters like Nalo? Takes courage to be that true. - Junot Diaz, in the LA Times
Hopkinson's most wildly imaginative novel since Brown Girl in the Ring.... and some of her most accomplished prose to date; at one point, she conveys the multivalent perceptions of Makeda through stunning passages of pure synaesthesia. - Locus
While the fantastical is ever-present, it's the personal and familial that make Sister Mine engaging and captivating. Self-doubt, interpersonal conflict and the struggle for acceptance are just as powerful as the novel's magical objects. Hopkinson's deeply saturated, poetic language is perfect to relate this story, which is deeply felt. - Globe and Mail (Toronto)
The comingling of the fantastical and the real world in this urban fantasy is seamless and surprisingly credible . . . complex relationships and knotty family ties, all with a tasty supernatural flavor. - School Library Journal blog
Hopkins writes in the tradition of African-American science fiction authors like Samuel R. Delany and Octavia Butler, but her approach is singularly expansive, a mythography of the black diaspora. (There are parallels with fellow Caribbean native Junot Diaz's work, not to mention King Rat, China Mieville's similarly musical urban fantasy.) . . . Hopkinson's prose intermingles the quotidian settings and cosmic mysticism with sly, assured ease. - National Post (Canada)
Hopkinson is extremely talented at crafting complicated protagonists, and Makeda is no exception...Her books always feel like glimpses into worlds that are fully detailed and stand on their own...Another great novel from one of the best fantasy authors working today. - io9.com