Philip Gwynne Jones' third book featuring English Honorary Consul, Nathan Sutherland - set against the background of Venice, the most beautiful city on earth.
'An irresistible concoction of crime and culture' Daily Mail
A game of blackmail and betrayal is played among the backstreets and canals of Venice . . .
Carnevale is in full swing, the streets and waterways of Venice are crowded with masked revellers and Nathan Sutherland's birthday is about to be ruined.
A night at the opera at La Fenice is always a memorable experience - and this time it will be so for all the wrong reasons as the curtain call is interrupted by a fatal stabbing. But why is the dead man carrying one of Nathan's business cards in his wallet?
The mystery of the murdered stranger takes Nathan on the trail of a lost opera by Monteverdi. But what begins as a harmless treasure hunt leads to ruthless criminals asking the highest of prices for the lost score... and then a second body is found in the sanctuary of Venice's English church.
The quest for the lost manuscript will bring Nathan back to the stage of La Fenice, where a final confrontation has deadly consequences...
Praise for Philip Gwynne Jones
'Gwynne Jones' entertaining take on his beloved Venice is as delightful as a Spritz by the Rialto - a must for all Italy lovers' David Hewson
'An unputdownable thriller' Gregory Dowling
'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail
'Superb - always gripping, beautifully constructed and vivid' Stephen Glover
'Clever and great fun' The Times
'Sinister and shimmering, The Venetian Game is as haunting and darkly elegant as Venice itself' L.S. Hilton, bestselling author of Maestra
'The Venetian setting is vividly described... good, fluid writing makes for easy reading' Literary Review
'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go. If you like intrigue, and a clever plot, you'll love this book' Amazon reviewer, 5*****
Sinister and shimmering, The Venetian Game is as haunting and darkly elegant as Venice itself
...a playful novel, recounted by a witty and engaging narrator ... as Venetian as a painting by Bellini (or a glass of Bellini). Oh, and it's also an unputdownable thriller
A crime book for people with sophisticated tastes: Venice, opera, renaissance art, good food and wine... I enjoyed all that and more - The Crime Warp
It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax - Daily Mail on The Venetian Game
The Venetian setting is vividly described and Gwynne Jones's good, fluent writing makes for easy reading - Literary Review
a civilized, knowledgeable, charming antidote to the darker reaches of the genre, full of entertaining descriptions of the city... Lovely. Makes you want to book a flight to Venice straight away
...he puts not one foot wrong with his topography and knowledge... Add a satisfyingly (but not gratuitously) surprising and action-packed ending and you have a book that I can wholeheartedly recommend - Fictional Cities on The Venetian Game
A crime story that positively thrives among the shadowy streets and canals of Venice... Gorgeous escapism with stacks of atmosphere and double-cross - Saga magazine
Philip Gwynne Jones was born in South Wales in 1966, and lived and worked throughout Europe before settling in Scotland in the 1990s. He first came to Italy in 1994, when he spent some time working for the European Space Agency in Frascati, a job that proved to be less exciting than he had imagined.
He spent twenty years in the IT industry before realising he was congenitally unsuited to it. Furthermore, an attempt to find a secure, well-paid job with a proper pension had resulted in him finding himself in the IT department of a large Scottish bank during the global financial crisis.
Something, clearly, had to change. And so it was that - following a conversation with a man in a pub - Philip and Caroline left their jobs, sold their flat and moved to Venice in search of a better, simpler future. They were wrong about the 'simpler' bit . . .
Philip now works as a teacher, writer and translator, and lives in Venice with Caroline. He enjoys cooking, art, classical music and opera; and can occasionally be seen and heard singing bass with Cantori Veneziani and the Ensemble Vocale di Venezia.