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In the Cut

Susanna Moore

8 Reviews

Rated 0

Classic crime, Thriller / suspense, Erotic fiction

'Electrifying. Essential reading' Olivia Laing

'Compelling, shocking, hot, scary' Kristen Roupenian

'Horrific, the sexiest book ever, devastatingly true' Daisy Johnson

'Extraordinary' Lucie Whitehouse

'When I finished I was ready to pass out' Olivia Sudjic

'One of my favourite books' Megan Hunter

Living alone in New York, Frannie teaches creative writing to a motley bunch of students, and secretly compiles a dictionary of street slang: virginia, n., vagina; snapper, n., vagina; brasole, n., vagina.

One evening at a bar, she stumbles upon a man, his face in shadow, a tattoon on his wrist, a woman kneeling between his legs. A week later a detective shows up at her door. The woman's body has been discovered in the park across the street.

Soon Frannie is propelled into a sexual liaison that tests the limits of her safety and desires, as she begins a terrifying descent into the dark places that reside deep within her.

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Praise for In the Cut

  • A true original ... Disturbingly dark, explosively violent, powerfully erotic and brilliantly written. - Sunday Times

  • Not a word is wasted in this examination of one woman's sexual odyssey as Moore builds to a shattering climax. - i newspaper

  • Imagine Gone Girl had it been co-written by Mary Gaitskill and Lydia Davis and you're heading in the right direction ... We need books like In the Cut now not simply because it's a cult classic, both timeless and timely, nor even for hope in the dark, but to allow us to articulate that darkness. - Guardian

  • You could describe IN THE CUT as an erotic thriller, and you wouldn't exactly be wrong, because it's certainly that; but it's also an uncompromising excavation of the darker reaches of female desire, and a uncomfortably heightened depiction of what it is like for a woman to feel endlessly watched and menaced by men. Its ending is also one of the most devastating things I have ever read. - Irish Times

  • A timely rebuke to the antiseptic quality of much of today's crime fiction. It is a short, nasty thriller that is badly underrated - Telegraph

  • The bold, feminist psychosexual thriller you need to read now ... How I felt reading In The Cut: titillated, feverish and ravenous ... I know I will be sending copies to friends who are ready to talk about what justice looks like now, how our sex lives might look in the future, and whether the violence that has conditioned so many women's lives will ever end. - Vogue

  • In the Cut resonates anew in a culture sharply attuned to the violation of female bodies ... Moore's deadpan prose is just extraordinary... The final scene is unlike any written in a modern novel... feels newly provocative in the era of Me Too. - Metro

  • IN THE CUT works because it plays on some of our darkest and most realistic fears, forcing us to consider whether our suspicion of men in individual cases is warranted, or rather the product of deep-seated anxieties... If Sex and the City, which aired three years after IN THE CUT was first published, explored the complications of women's sexual liberation, then Moore's novel explores its dangers - New Statesman

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Susanna Moore

Susanna Moore is the author of the novels The Life of Objects, The Big Girls, One Last Look, In the Cut, Sleeping Beauties, The Whiteness of Bones, and My Old Sweetheart, and two books of nonfiction, Light Years: A Girlhood in Hawai'i and I Myself Have Seen It: The Myth of Hawai'i. She lives in New York City.

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