'There are few detective-story writers so consistently good' Sunday Times
What has happened to Aunt Violet Helen Gamlen isn't sure anything has, but when Martin Andras turns up unannounced on her doorstep one night, implying that her aunt has disappeared, she feels she should try to clear things up once and for all.
Martin's interest in Violet's fate is purely selfish: her house in Burnstone had belonged to his grandfather, who left it to his faithful housekeeper for her lifetime. When she dies it will return to Martin's mother, and later, of course, to him.
But when Helen arrives on her aunt's doorstep, she finds she isn't the only person looking for a missing lady . . .
Elizabeth Ferrars 1907-1995
One of the most distinguished crime writers of her generation, Elizabeth Ferrars was born in Rangoon and came to Britain at the age of six. She was a pupil at Bedales school between 1918 and 1924, studied journalism at London University and published her first crime novel, Give a Corpse a Bad Name, in 1940, the year that she met her second husband, academic Robert Brown. Highly praised by critics, her brand of intelligent, gripping mysteries beloved by readers, she wrote over seventy novels and was also published (as E. X. Ferrars) in the States, where she was equally popular. Ellery Queen Mystery Magazine described her as as 'the writer who may be the closest of all to Christie in style, plotting and general milieu', and the Washington Post called her 'a consummate professional in clever plotting, characterization and atmosphere'. She was a founding member of the Crime Writer's Association, who, in the early 1980s, gave her a lifetime achievement award.