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Chasing The Light: How I Fought My Way into Hollywood - THE SUNDAY TIMES BESTSELLER

Oliver Stone

7 Reviews

Rated 0


A rare, controversial, and totally no holds barred memoir from one of Hollywood's greats.


"I loved it. An amazing book." - Louis Theroux

"A rip-roaring read. It left me breathless." - Chris Evans, Virgin Radio Breakfast Show

"Riveting." - The New York Times

"... a Hollywood movie in itself." - Spike Lee

"Raw, savagely honest, as dramatic as any of his movies." - Mail on Sunday

"A tremendous book - readable, funny and harrowing." - The Sunday Times

In this powerful and evocative memoir, Oscar-winning director and screenwriter, Oliver Stone, takes us right to the heart of what it's like to make movies on the edge.

In Chasing The Light he writes about his rarefied New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface.

Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while taking miscellaneous jobs and driving taxis in New York, finally venturing westward to Los Angeles and a new life.

Stone, now 73, recounts those formative years with vivid details of the high

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Praise for Chasing The Light: How I Fought My Way into Hollywood - THE SUNDAY TIMES BESTSELLER

  • Chasing the Light shows a man who still runs towards the gunfire [...] This is, you will gather, a tremendous book - readable, funny and harrowing. It's also full of movie-making gossip, scandal and fun. If you want to know what working with a truly difficult actor is like, read his account of handling James Woods on the set of Salvador. Nevertheless, Stone sticks with Woods because "he is a genius". Also if you want to know what it's like to be so intoxicated at a Golden Globes ceremony that your speech is so bad and almost denies you an Oscar, then you need this book. [...] The book is phenomenally well detailed. [...] A brilliant memoir. - The Sunday Times

  • Raw, savagely honest, as dramatic as any of his movies, Oliver Stone's memoir defies all the Hollywood cliches. - Mail on Sunday

  • Oliver Stone is a giant provocateur in the Hollywood movie system. His autobiography is a fascinating exposure of Stone's inner life and his powerful, all devouring energy and genius that drove him to become one of the world's greatest filmmakers. Stone rattles cages. He pricks the bubbles of the namby-pambies. He provokes outrage. He stirs up controversy. He has no respect for safe places. Oliver Stone is larger than life. Chasing the Light says it all. - Sir Anthony Hopkins

  • Oliver Stone's narrative, his life story about the heartbreaks, the near misses, and finally the triumphs is a Hollywood movie in itself. I thank Oliver for writing Chasing the Light, especially for my NYU grad film students-or anybody else with artistic dreams of working in this thing called the movie business. Oliver, in honest and sometimes brutal fashion, lays it out-what it took for him to get to where he hoped to be-a successful writer/director working in Hollywood; the road it took is hard AF. Bravo. Bravo. Bravo. - Spike Lee

  • Oliver Stone's story is the story of my generation writ large. - Paul Schrader, screenwriter of Taxi Driver

  • Oliver Stone has channelled his early years into a brilliant memoir. - The Sunday Times

  • The cover of Chasing the Light is a picture of Stone as a young man, looking at the camera with that strange, haunted expression you find in the faces of shell-shocked US soldiers in Don McCullin's photographs from Vietnam. It tells us he is authentic. His is a soldier's story, not a showbiz autobiography. He has seen the darkness. He has actually been on the front line, with first-hand experience of the nightmarish experiences he later set out to show on screen. This is unlike other contemporary directors who have made war movies over the last 40 years such as Stanley Kubrick, Francis For Coppola, Steven Spielberg, Christopher Nolan, and Kathryn Bigelow. - The Independent

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