A moving and inspiring story about how we remember the past from two of Australia's most acclaimed picture book creators, Gary Crew and Shaun Tan. This CBCA Award-winning bestseller is now part of LOTHIAN AUSTRALIAN FAVOURITES, a collection of the very best Australian picture books.
When the soldiers return from the Great War in 1918, a memorial tree is planted . . . 'Lest We Forget'. But generations later, what do those who pause in the shadows of the tree's immense branches remember?
Years on, the tree has grown to be huge and unruly, dislodging the statue next to it and creating a traffic hazard in what is now a much larger, busier town. A decision is made by a local council to cut the tree down . . .
MEMORIAL serves as a reminder of the lessons to be gained from the past and examine the significance of Anzac Day, conservation, respect and remembrance.
The beautiful and poignant CBCA Honour Book MEMORIAL is now part of LOTHIAN AUSTRALIAN FAVOURITES, a collection of the very best Australian picture books.
visually fascinating - NEW YORK TIMES on RULES OF SUMMER
an amazing picture book for all ages - THE GUARDIAN on RULES OF SUMMER
this stunningly original work defies easy categorization as it spins dual story lines into one spellbinding yarn ... Crew tantalizes to the very end, leaving readers to speculate enthusiastically on the riddles he craftily leaves unsolved. His tale will electrify his audience. - PUBLISHERS WEEKLY on STRANGE OBJECTS
STRANGE OBJECTS will continue to tease and perplex readers of all ages long after it has been read. - AUSTRALIAN BOOK REVIEW on STRANGE OBJECTS
GARY CREW is Professor of Creative Writing at the University of the Sunshine Coast in Queensland. He has won the Children's Book Council of Australia's Book of the Year four times and his readers have come to expect shadowy, surprising, incredible stories that must be read, and read again.
STEVEN WOOLMAN (1969-2004) completed a degree in Design and Illustration at the University of South Australia in 1990 and was always fascinated by bizarre fantasy. For the illustrations in The Watertower, his fifth published book, he used a combination of acrylic paint and chalk and pencil on black paper.