The first book in a new Blackpool-set series from bestselling saga author Mary Wood, writing as Maggie Mason
Tilly has come a long way from the run-down tenements in which she grew up. She has a small but comfortable home, a loving, handsome husband, two beautiful little'uns - Betsy and Bunty - and she earns herself a little money weaving wicker baskets. Life is good.
Until the day Tilly returns home to find a policeman standing on her doorstep. Her Arthur won't be coming home tonight - nor any night - having fallen to his death whilst working on Blackpool tower. Suddenly Tilly is her daughters' sole protector, and she's never felt more alone.
With the threat of destitution nipping at their heels, Tilly struggles to make ends meet and keep a roof over her girls' heads. In a town run by men Tilly has to ask herself what she's willing to do to keep her family together and safe - and will it be enough?
The perfect read for fans of Mary Wood, Kitty Neale, Val Wood and Nadine Dorries
Maggie Mason is a pseudonym of author Mary Wood. Mary began her career by self-publishing on kindle where many of her sagas reached number one in genre. She was spotted by Pan Macmillan and to date has written many books for them under her own name, with more to come.
Mary continues to be proud to write for Pan Macmillan, but is now equally proud and thrilled to take up a second career with Sphere under the name of Maggie Mason. A Blackpool Lass is her first in a planned series of standalone books and trilogies set in her home town of Blackpool.
Born the thirteenth child of fifteen children, Mary describes her childhood as poor, but rich in love.
She was educated at St Peter's RC School in Hinckley and at Hinckley College for Further Education, where she was taught shorthand and typing.
Mary retired from working for the National Probation Service in 2009, when she took up full time writing, something she'd always dreamed of doing. She follows in the footsteps of her great-grandmother, Dora Langlois, who was an acclaimed author, playwright and actress in the late nineteenth - early twentieth century.
It was her work with the Probation Service that gives Mary's writing its grittiness, her need to tell it how it is, which takes her readers on an emotional journey to the heart of issues.